Air Pollution Through the Ages

Thom Browne Says Stay True to Yourself

“I knew I had to stay in business. I'm stubborn, but I'm not stupid, ”designer Thom Browne told BoF about the balance between the concept and the business of his brand. "Fashion is a corporate. As abstract as you want to be, you need to make sure you approach it like a business. There must be a commercial element in what you do.

Browne understands both sides of the coin.

For one thing, he's a showman whose fashion show theater involved models tied to beds and emerging from coffins. For a particularly memorable men's fashion show of spring 2013, set in a Parisian garden, the silver minotaurs heralded a show of men dressed as life-size Slinkies. For their female debut for Fall / Winter 2011, which took place at the New York Public Library, models wearing twisted versions of the nun's garb were stripped naked by male models dressed as priests.

Browne estimations that he sells 80 to 90 percent of his display pieces.

 But in an apparent paradox, the designer, whose hair is cut with military precision, is best known for his shrunken gray suits inspired by the 1950s and 1960s, short for the arms and legs, as well as for their very easy to wear. mesh, with the subtle tricolor stripe that has become his signature.

Today, the collection is stocked by more than 160 retailers.

 A collaboration with US department store Brooks Brothers, dubbed Black Fleece, is now in its seventh year. And last March, Browne opened the second retail outlet (his first independent flagship of his outside the United States) in the Aoyama district of Tokyo. Michelle Obama level chose a silk jacquard coat also uniform on or after her very young collection of womenswear to wear to her husband's second inauguration as president of the United States, making Thom Browne for the first time a a name known to taxi drivers and fashionistas alike. "He really put women in front of people and made them realize that now I make women too," Browne said.

Born in 1965, mid-seven into a strict Irish Catholic family,

Browne grew up in the town of Rust Belt in Allentown, Pennsylvania, where fashion barely registered. "I never thought about it," he recalls. “You hardly even knew it existed. You went to the stores and you didn't even think about how the clothes were designed and who made them. In a way, it was more of a commodity. "

Browne's children's wardrobe, however:

 gray flannel pants and jackets for winter; Navy blue blazers and khaki pants in summer certainly inspired the designer's appealing. "I think a lot of periods you see a true American awareness, and sometimes an East Coast sensibility, in the collection," he says. "It was really what we wore when we grew up: very classic American casual clothes and dress."

 

With style not yet on his radar,

Browne's benefits lay in "sports and school, that was it." From the age of nine he began to swim for several hours a day. Later, while studying at Notre Dame, a Catholic university in Indiana, he was a member of the swim team. So it's perhaps not surprising that athletic references often crop up in his work, from tennis racket print trench coats to white soccer jersey mesh lined tuxedos. "There stay a lot of sports situations in my collections, in the fabrics I wear, in the sensitivity of the clothes," says Browne.

His immediate family was full of briefs,

 doctors, or entrepreneurs - "with all of us in our family doing something and doing it right was something my parents really stressed out" - but after graduation After graduation, Browne moved to Los Angeles to pursue a career in acting. With his athleticism and chiseled beauty, he has had some success as a commercial actor (there's a Motrin commercial somewhere in which he plays a runner with a sore side). But more importantly, he began investigating with vintage costumes, washing them, then tossing them in the dryer and cutting them to create his signature shrunken figure.

In 1998, Browne stopped acting and decided to move to New York; In less than two weeks, he had a wholesale job at Giorgio Armani. "I really just looked-for a job and it was cool," he recalls. Soon after, he moved to Club Monaco, where he perfected

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